Right and below: Meditating Shiva, the Supreme Ascetic (pediment above the lintel)

Below (right): Indra on Kala demon (lintel above eastern doorway)

Above: Shiva Nataraja above Vishnu Anantasayin on the eastern front of the mandapa.

Right: Sunset through 11 of the 15 doorways, October 5, 2004.

Shiva Nataraya (right)

Shiva Nataraya is the term for the dancing Shiva. It was believed that the dancing of Shiva symbolized both the creation and destruction of the universe. If he danced in a balanced manner, there would be peace and happiness in the world, but if he danced furiously in anger, the world would meet with disasters to the point of complete destruction. It was necessary for people to worship, praise, plead and make sacrifices to his satisfaction, so that he would bestow blessing and happiness.
     Shiva's Dancing occurs several times. On one occasion, he dances in the Taragam forest to punish the heretical hermits. On the other occasions he dances in the Chidambaram district in the middle of the universe at the request of Ananta nagaraja, the serpent king, and on Mount Kailasa for the deities who want to see it.
     The Shiva Nataraya at Prasat Phanom Rung carved on the pediment in front of the mandapa (front porch) is the scene of the dance on Mount Kailasa. Shiva with ten arms wearing a crown is dancing on a throne. Although the section with the deities is damaged, Ganesha, Brahma and Vishnu are visible. One of the two female figures on the right is probably Kareikalammeyar, a Shiva's devotee (F.A.D.)

Vishnu Anantasayin (above)

     On the bas-relief above Vishnu is depicted reclining on the Ananta serpent on the Ocean of Milk. The posture is known as the Vishnu Anantasayin posture. Lakshmi, his consort, is seated at his feet and Brahma springs from his navel. The variation of the Ananda serpent shown here is called a gajasimha (gaja for elephant and simha for lion).

     Vishnu is the god of preservation and one of the Hindu trinity of deities (trimurthi): Vishnu, Brahma and Shiva). In the Vaishnavite sect, Vishnu is worshiped as the highest god. Lakshmi is his consort, and Garuda is his vehicle. At the end of the cosmic era (kalpa), he rests in meditative sleep on a serpent known as Ananta on the Ocean of Milk, waiting for Brahma to recreate the cosmos. At that moment a lotus springs forth from his navel, with Brahma seated on it (see picture above). Brahma would be responsible for the re-creation of the world and in a new cosmic era.

     At the base of a pilaster at the eastern doorway of the mandapa,  there is ''a carving of a lady standing hanging onto a branch of a tree with one hand and lifting an object from a receptacle given to her by a man with the other hand. This probably represents a ceremony in connection with agriculture and abundance. It is called Puranatanyaka'' (F.A.D.).

     ''The carving on the half-pediment on the southern part of the gable of the mandapa in front of the main temple shows a female figure reclining on her back and a person in front holding one of her legs with one hand and a cylindrical object with the other. They are surrounded by four other persons. It is surmised that this is the scene of a deflowering ceremony.'' (F.A.D.).

     This ceremony is described by Zhou Daguan who lived at Angkor in the beginning of the 14th century: The ceremony ''is called zhentan [tchen-t’an]. Each year the authorities select one day in the month, which corresponds to the fourth Chinese moon, and announce this throughout the country. Every family where a girl has to submit to the zhentan is warned in advance by the authorities, and they give the household a candle on which a mark has been made.

Above: The Defloration Ceremony

     On the chosen day, when night has fallen, the candle is 1it and, when it has burned down to the mark, the moment of the zhentan has come'' ... ''I have heard that, when the moment comes the priest enters the girl’s pavilion; he deflowers her with his hand and receives the blood in some wine. It is also said that the father and mother, the family and neighbours place some on their foreheads or taste it. Others maintain that the priest really couples with the girl; while others deny this. As Chinese are not allowed to witness these things, the exact truth is hard to come by. (5). When day is about to break, the priest is led back with palanquins, parasols, and music. The girl must then be bought from the priest with presents of cloth and silks; otherwise she will be his property forever and could marry no one else.''

(5) This is an important admission by the Chinese author; the whole section is somewhat suspect.'' ... ''This account raises many questions; however, it should be pointed out that there existed a Buddhist sect, the Ari (whom many considered non-Buddhists) who are known to have participated in such ceremonies.'' (p.35)

Zhou Daguan, The customs of Cambodia. Bangkok, 1992

Above:Miniature lingams found at Phanom Rung

Above: Five rishis (hermits) in the inner chamber (garbhagrha) of the antarala sitting in a meditative posture known as yogasana. The rishi in the middle should represent Shiva reincarnated as Nakhulisa, the founder of Pasupata sect, and also representing Narendraditya, the builder of Prasat Phanom Rung. (F.A.D.)
 

Umamahesvara is a depiction of Shiva and Uma seated on the bull Nandin, Shiva holding the trident in one hand and embracing Uma sitting on his knees with the other.

The Umamahesvara scene at Prasat Phanom Rung is one of the first pediment of the front porch (mandapa). This carving is damaged, but the figure of the bull Nandin is still clearly visible. On the bull are Shiva and Uma, with followers carrying regalia.

Rihgt: Umamahesvara scene

     The final construction phase was in the reign of Jayavarman VII (rule: 1181 - ca. 1220 AD), who was a fervent Mahayana Buddhist and as so many other Hindu temples he added 'libraries' to the existing structure and turned the sanctuary into a place of Buddhist worship. The 'libraries' are in typical Bayon style, built of laterite with only door and window frames made of sandstone.

Right:
 'Library' in the SE part of the compound seen from west.